Call us today
858.633.1915

San Diego

7975 Raytheon Rd. Suite 310
San Diego, CA, 92111

map + directions

I’d like to learn more about Campaign Creators!

The latest from Primephonic

    An Interview with Nimrod Borenstein

    Nimrod Borenstein’s vivacious personality is infused in his music. The British-French-Israeli composer has been collaborating with eminent conductor Vladimir Ashkenazy over the past decade, this year finally making a recording together on Chandos.


    ( read )

    Topics: Composer, Perfection, Vladimir Ashkenazy

    Philip Glass and La Boulangerie

    In his recently published memoirs,Words Without Music (2015), the American minimalist composer Philip Glass tells the story of a lesson in musical counterpoint he had one afternoon with the formidable Nadia Boulanger. After proffering his 20 page manuscript, Mademoiselle (as she was known) placed it on the piano’s music rack and cast her eyes over the densely written pages.


    ( read )

    Topics: Composer, Women, Philip Glass

    Appalachian Spring – Defining the Sound of America

    In the 20thcentury, the great cities which formed the foundation of American prosperity and imagery had found their musical champions in numerous composers ranging fromGeorge GershwinandDuke Ellington. The representation had largely settled into a familiar pattern ranging from noisy urban and industrial onomatopoeia to syncopated rhythms and jazz-inspired harmonies. It is somewhat surprising that no composer had succeeded in filling the equivalent role as the authoritative depicter of rural life.


    ( read )

    Topics: Composer, 20th century, Billy the Kid

    Interview: Michel van der Aa on Contemporary Opera

    Michel van der Aa– the 'pin-up boy' of the Dutch National Opera or a true composer's composer? Michel speaks honestly with budding young composer Anthony Dunstan about his career and dispels any notion of grandeur with his hard-working down-to-earth approach to the making of his richly multi-media operas.He speaks about composition, his life as an opera-maker in the 21st century, his collaboration with Barbara Hannigan and how the use of film in opera can create a dream-like mood.


    ( read )

    Topics: Composer, Opera, Michel van der Aa

    The Salieri Conspiracy


    Wednesday, August 17, 2016

    The Salieri Conspiracy

    Antonio Salieri (1750 – 1825) was a central figure in the musical world of late eighteenth-century Vienna. Appointed by the Habsburg court as director of the Italian opera, he also served as the Austrian imperial Kapellmeister from 1788 to 1824. During his lifetime, Salieri wrote several operas that were performed extensively throughout Europe, while he was also an important and sought-after music teacher, counting celebrated composers such as Liszt, Schubert, and Beethoven among his pupils.

    Salieri did not compose any new operas after 1804, his music gradually becoming less popular until it slowly disappeared from the repertoire during the first half of the nineteenth century. Towards the end of the last century, however, Salieri’s fame saw a somewhat unexpected revival, largely due to his depiction as the archrival of Wolfgang Amadeus Mozartin Peter Shaffer’s play Amadeus (1979) and its subsequent cinematic adoption by Miloš Forman in 1984.

    Salieri’s place in popular imagination as Mozart’s nemesis and even alleged murderer goes at least as far back as 1832, when Alexander Pushkin published his short poetic drama Mozart and Salieri. There, Pushkin has Salieri murdering Mozart by pouring poison in his drink, after acknowledging the latter’s undisputed musical genius. As Salieri exclaims in Pushkin’s play:What profundity!
    What symmetry and what audacity!
    You, Mozart, are a god — and you don't know it.
    But I, I know.


    But how much truth is there in this much-hyped conspiracy surrounding Salieri’s name? Very little, the historical evidence found so far suggest. It seems that during Mozart’s early years, while he was still trying to get established in Vienna, Salieri was indeed sometimes portrayed unfavorably in Mozart’s correspondence. In July, for example, 1783 Mozart wrote of “a trick of Salieri's” in a letter to his father, while in other instances he would also accuse Salieri of trickery. What is more, a rumour that Mozart had been poisoned by Salieri started to spread decades after Mozart’s death, further enhancing the theories behind Salieri’s alleged wicked character and malicious motives.   

    However, there is little evidence to support such kinds of claims outside the realm of fiction and popular imagination. The truth is that the two composers enjoyed a rather courteous and respectful relationship, especially after Mozart had managed to establish himself as a composer in Vienna. It appears that they often supported each other’s work, while they even composed together the cantata Per la ricuperata salute di Ofelia for voice and piano (a work that, although thought to be lost, was recently identified and recovered by German musicologist Timo Herrmann in the archives of the Czech Museum of Music in Prague). It might also be worth adding that Mozart’s youngest son Franz Xaver Mozart, born just five months before his father’s death, received musical instruction by Salieri.

    A prominent opera composer and music teacher with a significant impact upon subsequent composers of the Romantic era, Antonio Salieri no doubt deserves to be remembered differently than merely the man who envied Mozart to death. The revival of his fame over the last decades and the modest popularity his music has enjoyed through recent recordings is perhaps a late yet rightful vindication for the man whose life and work was so completely overshadowed by the blinding brightness of Mozart’s star.

    Mimis Chrysomallis
    @The__Muser
    Header image: Mikhail Vrubel, Salieri pours poison into Mozart's glass (1884)
    Join me in the primephonic community


    ( read )

    Topics: Composer, Opera, Wolfgang Amadeus Mozart

    The Music of Dreams: How Tartini Composed his Famous 'Devil's Trill' Sonata

    Join the world’s largestonline classical music streaming serviceand access the catalogue of iconic labels such as Warner, Sony, Naxos, harmonia mundi and PENTATONE.Today you can explore the entire classical music archive. From renaissance, baroque, romantic or contemporary, Primephonic’s30-day free no ad online classical music streaming serviceoffers you the chance to listen to the best classical music albums ever recorded and create your own playlists.


    ( read )

    Topics: Composer, Trillo del Diavolo, Giuseppe Tartini

    Primephonic